My work aims at transition from the abstract to concrete form.
I transform natural structures and shapes.
My subject would decompose, become abstract, then turn into new
structure, wherein it remains a fugitive memory of the concrete;
yet retaining its energy charge -
a notion for material uniformity -
everything is part of it.
In this process of transformation the Micro contains the Macro, and vice versa.
and vice versa.
My paradigm is the work of the "Old Masters" -
profound education, extensive knowledge and experience
are essential. I base my experiments on classical techniques in pursuit of
intersections between the everlasting themes of art and the contemporary.
Thus I recreate the effect of "Symbolic Patina" - as time prints it.
I strive to decipher the charisma of postmodern reality.