My work aims at transition from the abstract to concrete form.

I transform natural structures and shapes.


My subject would decompose, become abstract, then turn into new

structure, wherein it remains a fugitive memory of the concrete;

yet retaining its energy charge -

a notion for material uniformity -

everything is part of it.


In this process of transformation the Micro contains the Macro, and vice versa.

and vice versa.


My paradigm is the work of the "Old Masters" -

profound education, extensive knowledge and experience

are essential. I base my experiments on classical techniques in pursuit of

intersections between the everlasting themes of art and the contemporary.


Thus I recreate the effect of "Symbolic Patina" - as time prints it.


I strive to decipher the charisma of postmodern reality.