BORIANA PERTCHINSKA
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Boriana Pertchinska
BEASTS
TransFORM>TRANSFER
ROTATION
FIXATION
EMOTIONAL MECHANISMS
ARCHIVE
BEASTS
Painting: pigments, acryl, chalk ground, jute under plexiglas
Are our new demons/ beasts our virtual avatars, the newly transferred mirror images?
Are our new demons/ beasts our virtual avatars, the newly transferred mirror images?
TransFORM>TRANSFER
Painting: pigments, acryl, chalk ground, jute under plexiglas
How do emotions transfer from the analogue to the digital world? Is the TRANSpotence of matter so strong? Does it manage not to lose its charge when transferred from one level to another? Is the message compressed / transformed / deformed? Boriana Pertchinska visualises this transfer process in her diptychs - the integrity of psyche and function / mechanism and at the same time their conflict. The audience can experience the transfer; her diptychs pose the big question of what remains.
In search of intersections between timeless and contemporary themes, Boriana Pertchinska uses classical painting techniques as a starting point for her experiments. She strives to give depth and duration to postmodern reality. She applies layers of paint to jute using chalk, pigments, tempera and acrylic, and finds the effect of "symbolic patina": traces of past forms of expression preserved in the contemporary object.
The TRANSFER cycle is an extension of her TRANSform cycle, in which she has been working since 2016.
How do emotions transfer from the analogue to the digital world? Is the TRANSpotence of matter so strong? Does it manage not to lose its charge when transferred from one level to another? Is the message compressed / transformed / deformed? Boriana Pertchinska visualises this transfer process in her diptychs - the integrity of psyche and function / mechanism and at the same time their conflict. The audience can experience the transfer; her diptychs pose the big question of what remains.
In search of intersections between timeless and contemporary themes, Boriana Pertchinska uses classical painting techniques as a starting point for her experiments. She strives to give depth and duration to postmodern reality. She applies layers of paint to jute using chalk, pigments, tempera and acrylic, and finds the effect of "symbolic patina": traces of past forms of expression preserved in the contemporary object.
The TRANSFER cycle is an extension of her TRANSform cycle, in which she has been working since 2016.
ROTATION
Painting: pigments, acryl, chalk ground, jute under plexiglas
The Primum Mobile/The First Mover, Janus - the beginning and the end, the transformed energy from one level to another, from the analogue to the digital world, is the idea in the cycle "Rotation - Transfer". The transferred energy, the matter and the spirit, transformed into another form, into another reality.
Boriana Pertchinska shows the dualistic nature of man in confrontation with the obsessive, over-technological and over-informatized world.
The Primum Mobile/The First Mover, Janus - the beginning and the end, the transformed energy from one level to another, from the analogue to the digital world, is the idea in the cycle "Rotation - Transfer". The transferred energy, the matter and the spirit, transformed into another form, into another reality.
Boriana Pertchinska shows the dualistic nature of man in confrontation with the obsessive, over-technological and over-informatized world.
JANUS-the other face
JANUS-the other face
JANUS-the other face
Carousel
Carousel
Carousel
Carousel
Carousel
Carousel
The Cyclist
The Cyclist
The Cyclist
FIXATION
Painting: pigments, acryl, chalk ground / wood
The art of observation....
The art of observation....
Fixation I
Fixation I
Fixation II
Fixation II
EMOTIONAL MECHANISMS 2013-2015
Diptychs from the series
rithe piece: painting- pigments, acryl, chalk ground/ wood
lieft piece: photo
The mechanisms that move our emotions - whether our emotions are authentic or manipulated reactions by someone who pushes our "buttons" - a signal that provokes our feelings (Pavlov's dog syndrome), an emotional stimulus without a specific situation, context or external provocation, will not develop. The emotional constellations in which we voluntarily find ourselves automatically transform us from the position of the manipulator in the same moment to the position of the manipulated and vice versa.... We get caught and are caught. ..we are part of the great mecha-feeling machine that we move and that moves us... Where are our authentic feelings then?........... Whether they are a psychological illusion?..... .... .. .
rithe piece: painting- pigments, acryl, chalk ground/ wood
lieft piece: photo
The mechanisms that move our emotions - whether our emotions are authentic or manipulated reactions by someone who pushes our "buttons" - a signal that provokes our feelings (Pavlov's dog syndrome), an emotional stimulus without a specific situation, context or external provocation, will not develop. The emotional constellations in which we voluntarily find ourselves automatically transform us from the position of the manipulator in the same moment to the position of the manipulated and vice versa.... We get caught and are caught. ..we are part of the great mecha-feeling machine that we move and that moves us... Where are our authentic feelings then?........... Whether they are a psychological illusion?..... .... .. .
I'm gone, Triptych, 2015
Yo-yo time, 2015
Relationship-Gravity, 2015
Get away from me
BORIANA PERTCHINSKA
Rennbahnstr.132
13086 Berlin
Deutschland
+49 163 67 06 999
Rennbahnstr.132
13086 Berlin
Deutschland
+49 163 67 06 999
Copyright © 2025 - Boriana Pertchinska
