My work aims at transition from the abstract to concrete form. I transform natural structures and shapes.
My subject would decompose, become abstract, then turn into new structure, wherein it remains a fugitive memory of the concrete; yet retaining its energy charge - a notion for material uniformity - everything is part of it.
In this process of transformation the Micro contains the Macro, and vice versa. and vice versa.
My paradigm is the work of the "Old Masters" - profound education, extensive knowledge and experience are essential. I base my experiments on classical techniques in pursuit of intersections between the everlasting themes of art and the contemporary.
Thus I recreate the effect of "Symbolic Patina" - as time prints it.
I strive to decipher the charisma of postmodern reality.